BA Fine Art student Catinca Malaimare on her internship at Tenderpixel Gallery, London

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As past exhibitions at Tenderpixel resonated highly with my work, at the end of my second year, with my practice being more involved and expansive, I felt the urge to be more than a negligible quantity, and to reach to a team of individuals that have welcomed me and facilitated a new path into research-led curation.

Portrait (for a Screenplay) of Beth Harmon was in the last weeks when I first started working with Tenderpixel, an exhibition and ongoing project of expanding the character of Beth by Tamsin Clark & Sean Edwards. Sophie Mallett, whom I worked with at the Black Box Project Space, was also part of the exhibition.

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Ahead of the summer show opening in late June, a group display curated by Brenda Guesnet with the intention of a seemingly contingent event, culminated with a purging ritual performed by Diana Policarpo.  All the relevant live documentation I took has been published on the site.

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The current summer show by Berlin-based artist collective CONGLOMERATE, Station ID, doubled up as a stage-set for an upcoming production and live shooting with Christopher Kline, coupled with installing and documenting it, gained me a lot of insight I then used to sustain the running of a show that differentiates itself from past, more familiar shows.

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Another part of the experience was being involved in different areas and stages of Tenderflix, the annual film and video competition at its 10th edition this year, culminating with a screening in mid-November.

All the input I had throughout the past months has been well supported and encouraged by Tenderpixel team.

'Conglomerate: Station ID' @ Tenderpixel, London 2017

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